All too often we see a group of characters decide to split up when staying together would clearly be the safest thing to do. We all know the phrase “Let’s split up, gang!” Made famous by Scooby-Doo, Where Are You, the phrase has become the name of one of the biggest horror movie tropes to ever exist (the franchise started parodying the trope in the 1980s cartoon A Pup Named Scooby-Doo, but I digress). Origin of Evil employs a few jump scares, but they are few and far between more subtle moments layered with a dread-inducing atmosphere. It takes up less than a minute, but it’s truly disturbing. For example, in once scene Wilson’s character Doris describes what it feels like to be strangled in vivid detail. Much of this is through Flanagan and Howard’s dialogue. When her face isn’t being digitally altered to look like the monster from the short film Lights Out, she does everything she can to instill a sense of mounting dread. Wilson earns all the credit for the film’s scares though. Okay, Ouija: Origin of Evil may not be the scariest movie ever made and the villain’s appearance may be a bit of a knock-off of the lipstick-faced demon in Insidious, but the film still has plenty of delightfully creepy moments. Can you say that about any of the characters in Ouija? The characterization of those characters is enhanced by the nuanced (and outstanding) performances given by Elizabeth Reaser, Annalise Basso ( Oculus) and Lulu Wilson, but Flanagan and Howard’s screenplay give them great material to play off of. It rarely sacrifices a moment in favor of a cheap jump scare. Not that there aren’t any scares in the film (more on that in a bit), but Origin of Evil puts the spotlight on its trio of leading ladies.
It Has Characters You Actually Care Aboutįlanagan and Howard’s screenplay wisely opts to focus on the family rather than the scares. What did Flanagan and co-writer Jeff Howard do to make the film work as well as it does? There are many things, but five of them stick out the most.ġ. Ouija: Origin of Evil isn’t a perfect film, but it is a significant improvement over the original and a step in the right direction for the franchise. That film went on to gross $50.8 million domestically, and while Origin of Evil will probably end its run with about $36 million, it’s still a decent gross considering its $9 million production budget. Ouija: Origin of Evil opened with $14 million its opening weekend, which is almost $6 million less than what Ouija opened with two years ago.
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The man simply gets the horror genre and knows how to set up a good scare (this is one of the reasons I’m particularly excited to see his script of I Know What You Did Last Summer enter production). This shouldn’t come as a surprise, considering it was co-written and directed by Mike Flanagan, the mastermind behind such wonderful horror films like Oculus, Absentia and Hush. You may have also heard that it’s pretty damn good. You may have heard that the prequel nobody asked for, Ouija: Origin of Evil, was released nationwide last weekend.
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